The Women Composers Festival of Hartford continues its annual tradition of celebrating the diversity of women’s music with its 2019 Festival, scheduled to take place March 29 & 30, 2019. This year’s festival features Composer-in-Residence Jennifer Jolley and Ensemble-in-Residence The Nouveau Classical Project. The Festival will include performances of historical and living women composers held at iconic Hartford institutions Trinity College and Asylum Hill Congregational Church. We are very excited to also be showing the completed documentary about the 2018 Festival and the overall organization during the Festival!
Purchase a festival pass for admission to all festival events and concerts. Tickets for individual concerts and events are also available.
2019 FESTIVAL SCHEDULE
Friday, March 29, 2019 All events will take place in Gruss Hall (located in the Austin Arts Center) at Trinity College
9:00 am – 5:00 pm: Music Marathon, Gruss Hall (located in the Austin Arts Center) at Trinity College 7:00 pm: Pre-concert talk by Jennifer Jolley, Asylum Hill Congregational Church 7:30 pm: The Nouveau Classical Project Concert featuring a newly commissioned work by Jennifer Jolley and the winning pieces selected from the Score Call, Asylum Hill Congregational Church
Sunday, November 18, 2:00 pm
Fuller Music Building room 21, University of Hartford
Suggested Donation: $15.00
Reception to follow
We are expanding our 2018-19 performance series, beginning with a performance from Duo Alterity. Allison Hughes, flute, and Joseph Van Doran, guitar, will perform pieces by Alexis Carrier, Yufei Chen (premiered during the 2018 Connecticut Summerfest), and Hartt School alum Gwyneth Walker. The afternoon will also include a private first-look at the 2018 documentary about the Women Composers Festival of Hartford and the work we do.
Can’t make the concert, but still want to donate? You can make your tax-deductible donation to WCFH here.
We are now accepting applications for the 2019 Student Workshop! Participants will write a new, short piece for for flute, clarinet, violin, cello, and piano that will be read and workshopped on Friday, March 29 at 7-8:30 pm by the Nouveau Classical Project. They also will attend two other in-person sessions with workshop mentor, Jessica Rudman, and receive online mentoring.
This opportunity is open to any composers (currently enrolled or not) without a terminal degree in composition who identify as women/femmes/non-binary. More details and the application form are available online here. Applications are due by Oct. 9.
We are excited to announce the featured artists for the 2019 Women Composers Festival of Hartford!
Ensemble-in-Residence: The Nouveau Classical Project
The Nouveau Classical Project (NCP) is a New York-based, all-women contemporary classical music ensemble that is “bringing a refreshing edge to the widely conservative genre” (VICE). It began by collaborating with fashion designers for its concerts and has expanded to creating multidisciplinary performances. Its mission is to engage new audiences and show that classical music is a living, breathing art form.
To provide opportunities for composers, NCP holds annual Calls for Scores, Calls for Proposals, and commissions new work via the NCP Commissioning Fund. The collaborative nature of its work also allows the ensemble to create opportunities for artists from a variety of disciplines.
NCP has performed at exciting venues such as Brooklyn Academy of Music (BAM) Fisher, (le) poisson rouge, Galapagos Art Space, Korea Gallery, Symphony Space, The Center for Fiction, White Box, and Issue Project Room as part of MATA’s Interval series. Fashion shows include CFDA winner Pamela Love, Project Runway winner Gretchen Jones, Kempner Collection, Ecco Domani winner Novis, Tanya Taylor, and more. Its projects are supported by the National Endowment for the Arts (NEA), the New York City Department of Cultural Affairs, New York State Council on the Arts (NYSCA), and other generous foundations and individual donors.
Composer Jennifer Jolley’s diverse catalog includes choral, orchestral, wind ensemble, chamber, and electronic works. She has been commissioned by ensembles and institutions across the United States, including the Vermont Symphony Orchestra, University of Texas at Austin, Bowling Green State University, Quince Contemporary Vocal Ensemble, The Canales Project, Left Coast Chamber Ensemble, among others. She is Assistant Professor of Composition at Texas Tech University in Lubbock, Texas, and has written articles for the e-zine NewMusicBox.
In recent years, Jennifer has been increasingly drawn toward subjects that are political and even provocative. Her 2015 collaboration with librettist Kendall A, Prisoner of Conscience, sets to music statements made by the Russian punk-rock band Pussy Riot as they stood trial in Moscow for “hooliganism” and “religious hatred.” Quince Ensemble has performed the piece widely and has released a recording on their album Motherland with New Focus Recordings. Jennifer’s 2017 piece The Eyes of the World Are Upon You, commissioned by the University of Texas at Austin Wind Ensemble, reflects on the first-ever campus shooting in America, which took place at UT-Austin in 1966.
Jennifer’s blog—on which she has catalogued more than 100 rejection letters from competitions, festivals, and prizes—is widely read and admired by professional musicians. She is particularly passionate about this project as a composition teacher, and enjoys removing the taboo around “failure” for her students. In addition to her professorship at Texas Tech, she is a member of the composition faculty at Interlochen Arts Camp.
Jennifer deeply values the relationship that is created between composers and the communities with whom they collaborate. She has been composer-in-residence at Brevard College, University of Toledo, and the Vermont Symphony, and was in-residence at the Central Michigan University School of Music and the Alba Music Festival in Italy in 2018. She will be the Composer-in-Residence of the Women Composers Festival of Hartford in 2019.
Jennifer Jolley took 2nd Place for the 2017–18 American Prize in Composition (Band/Wind Ensemble Division) and was a finalist for the the Symphony Number One Call for Scores. She holds degrees from the University of Southern California and the Cincinnati College-Conservatory of Music, where her principal teachers included Stephen Hartke, Frank Ticheli, Michael Fiday, Joel Hoffman, and Douglas Knehans.